Tuesday, January 31, 2017

Designing Diagrams Book by Emilio Patuzzo“The design of the book...


Designing Diagrams Book by Emilio Patuzzo


Designing Diagrams Book by Emilio Patuzzo


Designing Diagrams Book by Emilio Patuzzo


Designing Diagrams Book by Emilio Patuzzo


Designing Diagrams Book by Emilio Patuzzo


Designing Diagrams Book by Emilio Patuzzo

Designing Diagrams Book by Emilio Patuzzo

“The design of the book was kept very simple to encourage reading and to avoid any distraction. The upper part of each page reports information about the current paragraph, chapter and section, providing an intuitive tool to discover the thesis. The red-plastic package was made to prevent any damage to the book when shipped to all people who supported me in this work.”

Emilio Patuzzo is a graphic designer and illustrator based in Milano Italy. He is focused on print design, editorial design, information architecture and graphic design. 

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When ‘Black Like Me’ Means ‘White Like Them’

A Canadian doctor recalls a lesson from his pre-med education: how to deal with color-coded peer pressure.

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Travelers With Nut Allergies Clash With Airlines

Parents say that even mentioning a nut allergy to airline employees can get them kicked off a plane.

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How to prepare for your S/S 2018 material trade show visit?

Kira BunseIf you are planning on visiting one of the S/S 2018 material trade shows this season, such as Premiere Vision Paris, Lineapelle Florence, TexWorld Paris, Pitti Filati, Intertextile Shanghai, we have prepared a useful guide that will help you get the most out of the upcoming fabric, this season. Or, even if you are not […]

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Dangerous Fruit: Mystery of Deadly Outbreaks in India Is Solved

Researchers had suspected that heat stroke, infections or pesticides were behind a disease that killed about 40 percent of children affected, but it seems lychees were to blame.

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Dangerous Fruit: Mystery of Deadly Outbreaks in India Is Solved

Researchers had suspected that heat stroke, infections or pesticides were behind a disease that killed about 40 percent of children affected, but it seems lychees were to blame.

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Monday, January 30, 2017

Brand Identity for Kaibosh Eyeware by Snask“The brand and...


Brand Identity for Kaibosh Eyeware by Snask


Brand Identity for Kaibosh Eyeware by Snask


Brand Identity for Kaibosh Eyeware by Snask


Brand Identity for Kaibosh Eyeware by Snask


Brand Identity for Kaibosh Eyeware by Snask


Brand Identity for Kaibosh Eyeware by Snask


Brand Identity for Kaibosh Eyeware by Snask


Brand Identity for Kaibosh Eyeware by Snask

Brand Identity for Kaibosh Eyeware by Snask

“The brand and tonality was translated into visual form and matched with a custom-made display typeface, named Sentrum, made to suit the in-store signage. We added two eyelashes as a symbol to distinguish the identity as well as use as graphic elements for many different scenarios. We created the entire flagship store with shelving systems, signage, colors, murals, etc. The project ranged from typeface and still life photos to campaigns, fashion-photography, notebooks and towels.”

SNASK is a Brand, Design and Film agency situated in the heart of Stockholm. Their work is frequently internationally referenced and results in brand platforms, graphic identities, short films, handmade photo installations, communication strategies, design manuals, stop motions, TV commercials and carefully crafted corporate love-stories. 

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Adobe Ink & Slide Packaging by Character“Since 1982, Adobe...











Adobe Ink & Slide Packaging by Character

“Since 1982, Adobe has built a reputation for developing world-class multimedia and creative software products. Character worked with the Adobe team to develop a packaging program that supports Adobe’s new best-in-class creative hardware. The design solution needed to be inspirational and relevant for Adobe’s “Premier and Aspiring” designers as well as deliver the expressiveness and innovation of the Adobe brand experience.”

Character is a San Francisco-based branding and design agency with a passion for launching, rejuvenating and propelling brands. Their goal is to create lasting and meaningful relationships between their client’s brand and their audience through smart thinking and thoughtful design. They aim to do this by crafting stories that touch people on a personal level, sparking a change in their everyday behavior.

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Today's archidose #941

Here are a some photos of the Maison de Verre (1932) in Paris, France, which Pierre Chareau designed for gynecologist Dr. Jean Dalsace. The house is owned now by architectural historian Robert Rubin, who allows visits by appointment months in advance. For those who are unable to travel to Paris anytime soon but will be in NYC, the Maison de Verre is beautifully presented by Diller Scofidio + Renfro in Pierre Chareau: Modern Architecture and Design, on display at the Jewish Museum until March 26 – highly recommended. (Photographed by August Fischer.)

Maison de Verre
Maison de Verre
Maison de Verre
Maison de Verre
Maison de Verre
Maison de Verre
Maison de Verre

To contribute your Flickr images for consideration, just:
:: Join and add photos to the archidose pool
To contribute your Instagram images for consideration, just:
:: Tag your photos #archidose


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When ‘Black Like Me’ Means ‘White Like Them’

A Canadian doctor recalls a lesson from his pre-med education: how to deal with color-coded peer pressure.

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Limiting Antibiotics Curbs Deadly Hospital Infections

Hospitals control C. diff by meticulous hand-washing and cleaning, but limiting the use of antibiotics may be even more effective.

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​Secrets of Effective Stock Photography SearchSurfing the...



​Secrets of Effective Stock Photography Search

Surfing the Internet, it’s inevitable to stumble on dull, low-quality images. One of the main reasons we witness this is because not everyone is knowledgeable when it comes to stock photo search tactics. We’re about to let you in on some insider secrets on how to find better, more engaging and original stock photography on Depositphotos.

Think like a photographer

Try a whole new approach to looking for images. Put yourself in the shoes of the photographer and remember some of the creative vocabulary that you would use to describe your perfect image. By using some simple photography vocabulary (double exposure, streak light, low light, blur), you can find some truly captivating images.

Reverse Image Search

Do you already have an image you love but can’t use due to copyrights? Save the image and try reverse image search on Depositphotos. You will find an abundance of similar images in seconds.

Symbol + emotion = story

Symbols are all around us. Instead of being literal, try searching for symbols of the object or subject you’d like to depict. Pair this with a word for an emotion and you will stumble on a more storytelling image. Try pairing the words paddle + surfer + lonely.

These 3 tips will ensure a more creative and original selection of images. Once you’ve picked your favourite ones and are ready to purchase them, choose our new Flexible plan. Your monthly subscription will be $29 a month with all additional purchases just $1 each. It’s that simple.

This content is sponsored via Syndicate Ads.



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Being the Voice in Your Child’s Head

You hope that you can pass along enough of your wisdom so that when they’re alone, you’re still along for the ride.

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The Right Way to Say ‘I’m Sorry’

A sincere apology can be powerful medicine with surprising value for the giver as well as the recipient.

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Sunday, January 29, 2017

Casper Packaging by High Tide“We created an engaging,...


Casper Packaging by High Tide


Casper Packaging by High Tide


Casper Packaging by High Tide


Casper Packaging by High Tide


Casper Packaging by High Tide


Casper Packaging by High Tide

Casper Packaging by High Tide

“We created an engaging, multi-sensory experience for the recipients of a Casper gift card by concepting, designing, and overseeing production of a “Good Night Kit.” The much- coveted kits included a lavender eye pillow, an aromatherapeutic Sleep Balm by Ever Brooklyn, and a chamomile tea sachet. Each beautifully packaged box contained a gift card for a Casper mattress made in matte blue with a reflective holiday pattern printed on top.”

High Tide Creative is a multi-disciplinary creative studio producing strategic and enduring design solutions. Serving a range of clients from start-ups to legacy brands, our process is highly collaborative. Informed by the history of art and design, yet very much in tune with the modern consumer, they seek the delicate balance between the anchor of tradition and the boundlessness of innovation.

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After Mastectomies, an Unexpected Blow: Numb New Breasts

Reconstructive surgery is billed as being better than ever, but most women lose sensation in their chest, which can be devastating and even dangerous. They wish they had been warned.

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Friday, January 27, 2017

Healing the Health Professional

An addiction counselor at the Hazelden Betty Ford Foundation says her job allows for creativity and spontaneity.

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Organically Cargo

01 giorgio-cravero-colors-series-4Issey Miyake disrupts a raw cargo aesthetic with organic pops of acidic hues and natural surface textures.

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Maison Margiela Spring Couture 2017 by John Galliano

Maison_Margiela_Couture_Spring_Sumer_2017_553Since Galliano joined the mysterious fashion house of Maison Margiela in 2015, after a long absence from fashion, he has been sending strong messages down the runway that question the current consumer climate. This season his focus at Margiela was on the art of communication and zoomed into the unsettling nature of the digital era, […]

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Book Briefs #28: A Half-dozen Journals

"Book Briefs" are an ongoing series of posts with two- or three-sentence first-hand descriptions of some of the numerous books that make their way into my library. These briefs are not full-blown reviews, but they are a way to share more worthwhile books than I'm able to review.



The Cornell Journal of Architecture 10: Spirits edited by Caroline O’Donnell | Cornell AAP Publications, distributed by Actar D | 2016 | Amazon
In the introduction to Spirits, O'Donnell and her fellow editors assert the issue "examines a range of spirits haunting architecture today." Colin Rowe, who taught at Cornell for much of his life, must be one of those spirits, for the editors find phantoms in his writings, occupying the realm between buildings and the interaction or people "reading" them. Heady stuff but a great starting point for a mélange of essays on the theme of spirits, ranging from data and the Anthropocene, to Louis Sullivan and meloncholia in cities, to haunted houses and the uncanny in Gothic romance novels. And what would a journal called Spirits be without an essay on The Shining's Overlook Hotel?

GSD Platform 9: Still Life edited by Jennifer Bonner with Michelle Benoit and Patrick Herron | Harvard GSD, distributed by Actar D | 2016 | Amazon
It goes without saying that the output of the Harvard GSD is voluminous. So when it comes time to assemble some of it into a year-end document to share with the world outside of Cambridge, Massachusetts, the ways of organizing the information are extremely important. And given that we're talking about architecture, each Platform cannot repeat its predecessors. Last year the editors organized the student projects, faculty information, guest lecturers, exhibitions, and so forth like an index, so it resembled a dictionary or encyclopedia. This year the projects and other materials are presented in "compositional groupings" based on still lifes of primarily models, with chapters like "Form Ruckus," "Glam Craft," and "Hold the Color." Given that not all of the student projects on display in the still lifes are presented in detail in the pages that follow, it's too bad these pages were not made into gatefolds or small posters so the overlooked projects were larger on the page.

Kerb 23: Digital Landscapes edited by Georgia Aldous, Sophia Horomidis, Rebecca Pike and Robert Williamson | Actar | 2016 | Amazon
Unlike architecture, which has a plethora of journals devoted to the field, landscape architecture could use more of them, particularly since the profession is one of the few with the ability to deal with this century pressing ecological problems. Kerb, "an annual cross-disciplinary design publication produced by the RMIT University School of Architecture and Design," is one of the few journals devoted to landscapes, one I've appreciated since discovering their 16th issue, on "future cities," when I was in grad school. Their 23rd issue tackles "digital landscapes," which I take as a focus on the tools that landscape architects use to not only design landscapes but also understand the ecologies that their designs are a part of. No profession today is free from the digital realm, even something as earthbound as landscape architecture. Nevertheless, how digital tools are used in landscape design is up for debate, as evidenced by at least a few essays and projects in the pages of this issue.



MAS Context 28: Hidden edited by Iker Gil | MAS Context | 2015
As in all of its other issues, number 28 of MAS Context is geared around a one-word theme. Hidden asked contributors to explore things not readily visible, be it tunnels and other infrastructural elements, spaces where people can hide from authorities, lives lived outside of the everyday realm, or even hidden tracks on records and CDs. The acts of revealing the hidden in the issue come across primarily visually, with only the occasional text-based essay; most contributions are photo essays, with a few architectural projects thrown in for good measure. Standing out on red pages near the middle of the book is a highlight: Sergio Lopez-Pineiro's "Archipelagos of Detritus," which presents a wide variety of leftover spaces, from highway interchanges and crawl spaces to those "virtual" disk fragments that build up over time on computer hard drives.

MAS Context 29: Bold edited by Iker Gil | MAS Context | 2016
One of the best parts of the inaugural Chicago Architecture Biennial in 2015 was BOLD: Alternative Scenarios for Chicago, which I described as an "exhibition within an exhibition." Although Chicago was host to the Biennial (and will be again later this year for the second go-around), many of the participants were from outside the city. But Iker Gil's BOLD exhibition focused purely on local talent, with projects by such familiar names as Stanley Tigerman, Margaret McCurry, Helmut Jahn, and Krueck + Sexton, as well as studios, such as UrbanLab, PORT Urbanism, Weathers, and Design With Company, which are making marks inside and outside the city. While I was fortunate enough to visit the inaugural Biennial, many people were not, so this special issue of MAS Context is very welcome. It's also beautiful, with some of the journal's best graphic design (which is saying a lot) and big images of the various speculative projects. Like other MAS Context issues, a free PDF is available, but I recommend ordering one of the limited-edition printed copies for the full effect.

New Geographies 07: Geographies of Information edited by Ali Fard and Taraneh Meshkani | Harvard GSD | 2015
The seventh issue of New Geographies, the journal of the doctoral New Geographies Lab at Harvard GSD, would go nicely with the above issue of Kerb. Just as digital information and data flows impact landscape architecture, they are integral to our understanding of geography, in both physical and virtual spaces. Geographies of Information touches on just about every digital aspect affecting places: data centers and other physical network infrastructures (both contemporary and historical); the oft-buzzed-about big data, smart cities and internet of things; surveillance; representation through digital technologies; and social aspects of digital technologies. Familiar experts (familiar to me, at least) are found in these pages, including Stephen Graham (on data centers), Adam Greenfield (on Uber) and Kazys Varnelis (on historical networks). They are part of an ambitious issue that reveals the how the production of space works in a world driven by information and its communication.

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Are There Home Treatments for Neuromas of the Feet?

Neuromas of the foot, a painful condition caused by an inflamed nerve in the ball of the foot, can be effectively treated at home.

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The Weekly Health Quiz: Movement, Mood and Mary Tyler Moore

Test your knowledge of this week’s health news.

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Perpetuum Calendar by Studio Yonoh / OTHR“Inspired by the...


Perpetuum Calendar by Studio Yonoh / OTHR


Perpetuum Calendar by Studio Yonoh / OTHR


Perpetuum Calendar by Studio Yonoh / OTHR


Perpetuum Calendar by Studio Yonoh / OTHR


Perpetuum Calendar by Studio Yonoh / OTHR


Perpetuum Calendar by Studio Yonoh / OTHR


Perpetuum Calendar by Studio Yonoh / OTHR

Perpetuum Calendar by Studio Yonoh / OTHR

“Inspired by the architecture of the industrial boom, Perpetuum’s shape is a nod to the “sawtooth” roofs of factories built in the 1920s and 30s. The calendar’s 3D printed fabric base emulates the era’s move towards the synthetic, gracefully guiding an antiquated material into the 21st century. To function properly, this analog calendar requires human interaction; taking our attention away from the screen and into the physical world. Availabe for purchase on OTHR.”

Yonoh is a design studio founded in 2006 by Clara del Portillo and Alex Selma, in Valencia, Spain. Uniting their creative inquisitiveness they create work on product graphic and interior design. Yonoh works on projects that differ for their simplicity and functionality, designs that exude freshness and uniqueness.

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