Friday, December 30, 2016
Costly Drug for Fatal Muscular Disease Wins F.D.A. Approval
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The Weekly Health Quiz: Carrie Fisher, Debbie Reynolds and Year-End Hazards
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How to Nurse Your Hangover (and Head One Off)
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Why I Talk About My Daughter’s Body
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In the New Year, More Cuddling
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Thursday, December 29, 2016
Brand Identity for Flygl & Bille by Kind“Kind is behind the...
Brand Identity for Flygl & Bille by Kind
“Kind is behind the concept development, name and visual identity for ‘Flygl & Bille’, an exclusive brand of cream, coffee and aquavit-based liqueur that is both medicine and nectar for refined palates. 'Flygl & Bille’ combines the best Norway has to offer as regards coffee and aquavit. The cream of Norwegian aquavit and coffee are brought together in F&B’s exquisite coffee aquavit.”
Kind is a large and diverse group of individuals who together create unique identities and concepts. Their creative team has wide-ranging experience of the design and advertising industry, and over the years its members have created and managed brands and concepts for several big Norwegian and international clients. Their work shall be differentiated and One of a Kind.
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A Gut Makeover for the New Year
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Wednesday, December 28, 2016
Learn to Draw with Shantell Martin and SkillshareSkillshare is...
Learn to Draw with Shantell Martin and Skillshare
Skillshare is an online learning community for creative skills that works just like Netflix. Students anywhere in the world pay $10 a month for access to thousands of online classes, on-demand. Anyone can teach for free on Skillshare, which means students have access to the most relevant, up-to-date creative skills.
Students learn everything from design, to business to photography, film, crafts, culinary, music, writing, technology and more, from the world’s best teachers. Skillshare classes are designed to be bite-sized with short video lessons to fit your schedule. You can learn at your own pace and on the go with their free mobile apps on both Apple and Android phones.
For a limited time only, you can get your first 3 months for just $0.99 to get unlimited access to thousands of classes.
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Artwork Series for Adidas by Albert Trulls“Artwork series for...
Artwork Series for Adidas by Albert Trulls
“Artwork series for Adidas inspired by the Olympic Games. The series focuses on promoting the Olympic values (excellence, respect and friendship) despite the sports’ results. Each value is illustrated with characteristic Olympic elements forming timeless still lives.”
Albert Trulls is a designer, illustrator and letterer based in Barcelona, Spain. Since 2009 he has worked in many design studios and advertisement agencies, developing different kinds of projects for clients around the world. His work is driven by an intuitive approach where illustration and lettering are used as the main visual language through detailed compositions. During the years he has been invited as a speaker in several events and his work has been shown and issued in numerous exhibitions and publications.
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Times Staffer Gets All Choked Up
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For Heart Health, the Most Dangerous Time of the Year
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5 New Year’s Resolutions You Can Buy
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Branding for Deluca Coffee by Christopher Doyle & Co“We...
Branding for Deluca Coffee by Christopher Doyle & Co
“We created a unique logomark based around the D and L letterforms found within Deluca, that also references the silhouette of a coffee cup on the machine tray, and the barista’s tools. This mark was then abstracted and used to create a series of supporting illustrations that are applied to product bags, collateral and in-store artwork. To coincide with the rebrand, the cafe underwent a full renovation to complement the new identity.”
Christopher Doyle & Co. is a creative company led by Creative Director, Christopher Doyle. An internationally recognised designer with over 15 years experience, Chris has worked at some of Australia’s leading brand and design agencies. At CD&Co, they work with a diverse range of companies, brands and partners across multiple platforms. They specialise in brand identity including naming and verbal identity, creative direction and digital design.
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The Restless Quest for a Good Night’s Sleep
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Work. Walk 5 Minutes. Work.
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11 Ways to Be a Better Person in 2017
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Monday, December 26, 2016
Seller-Financed Deals Are Putting Poor People in Lead-Tainted Homes
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7 Tips for Making It Through the Winter
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Friday, December 23, 2016
Study Tied to Food Industry Tries to Discredit Sugar Guidelines
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Bored, Isolated and Retired Young
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Happy Holidays!
The Weekly Health Quiz: Winter, the Brain and Drinking on Antidepressants
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Top 5 of 2016, 5/5: Favorite Books
Adjaye Africa Architecture by David Adjaye, edited by Peter Allison
Aldo van Eyck: Seventeen Playgrounds by Anna van Lingen, Denisa Kollarova
Austere Gardens: Thoughts on Landscape, Restraint, & Attending by Marc Treib
A Field Guide to American Houses, The Definitive Guide to Identifying and Understanding America's Domestic Architecture by Virginia Savage McAlester
Heroic: Concrete Architecture and the New Boston by Mark Pasnik, Michael Kubo, Chris Grimley
Manual of Section by Paul Lewis, Marc Tsurumaki, David J. Lewis
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When the Sun Sets Early, It’s a Race to Prepare for Shabbat
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Working Through Divorce With Mary and Joseph
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The Night Girl Finds a Day Boy
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Thursday, December 22, 2016
Should I Stay Silent During One Child’s Populist Taunt of Another?
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Top 5 of 2016, 4/5: Favorite Exhibitions
GARDEN CITY | MEGA CITY at the Skyscraper Museum
Global Citizen: The Architecture of Moshe Safdie at the National Academy Museum
A Japanese Constellation: Toyo Ito, SANAA, and Beyond at the Museum of Modern Art
Manus x Machina at the Metropolitan Museum of Art (exhibition design by OMA)
Pierre Chareau: Modern Architecture and Design at the Jewish Museum (exhibition design by Diller Scofidio + Renfro)
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What Doctors Can Learn From Looking at Art
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Becoming a Pack Leader of Dogs and Donkeys
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Out of Sorts Around the Holidays? It Could Be Family Jet Lag
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Wednesday, December 21, 2016
Statin Drugs Tied to Better Surgery Outcomes
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Eero Saarinen: The Architect Who Saw the Future
A trailer for the documentary:
I got a peek at the one-hour documentary and would definitely recommend it, particularly for those who only have a rudimentary understanding of Saarinen's life and buildings. Even for those well versed in Saarinen, The Architect Who Saw the Future has a number of surprises, most of them coming from archival footage and new interviews. Although directed by Peter Rosen, the documentary can be seen as the product of Eric Saarinen, the descendent of two great architects (son of Eero and grandson of Eero's father Eliel) and the doc's cinematographer. Much of the narration is provided by Eric, but when it comes to the words of Eero those are narrated by Finnish actor Peter Franzén (Aline Saarinen is voiced by Blythe Danner). Unfortunately, Franzén's readings border on the robotic, making them a distraction from Saarinen's words. A further distraction comes from the Moby soundtrack, since at times it adds all-too-familiar sounds to the mix. These three figures – Eric Saarinen, Peter Franzeén, and Moby – overlap at times, as when Eric's drone footage of the Gateway Arch is accompanied by a reading from Saarinen and Moby's oft-used "God Moving Over the Face of the Waters" (evident in the below clip on the competition for the Jefferson National Expansion Memorial).
Over the course of the documentary's hour we see just over ten Saarinen buildings. Combined with the exploration of Eero's personal life interspersed between the buildings, the documentary cannot go into the depth his architecture deserves; perhaps a 90-minute length would have been better. Nevertheless, the combination of Eric's footage, archival materials, and interviews with Kevin Roche, César Pelli, Rafael Viñoly, Robert A. M. Stern, Paul Goldberger, and others is effective, since it greatly emphasizes the firsthand experience of both his buildings and his working methods (Roche and Pelli worked in Saarinen's office). Saarinen was a master with form, structure, and materials, though it's clear that the experience of people moving through his buildings was of the utmost importance. How many other architects, after all, have been able to design iconic chairs – where the human body interfaces directly with design – as well as iconic buildings?
American Masters -- Eero Saarinen: The Architect Who Saw the Future premieres nationwide on Tuesday, December 27 at 8 p.m. on PBS (check local listings), with the DVD available on January 3, 2017 from PBS Distribution.
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Top 5 of 2016, 3/5: Most Popular W-A Posts
'XXX' in Times Square
Tower with Photovoltaic Facade Wins Building of the Year
Remembering Hadid Through Her Paintings
Zumthor Selected for Beyeler Expansion
Alejandro Aravena and the Future of the Pritzker Prize
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The Weekly Health Quiz: ‘Zombie’ Drugs, Failing Diets and Restroom Lines
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Are Saunas Good for the Brain?
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Remembering My Doctor Who Let Me Walk Again
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Savings, Longevity and the Year in Fitness
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How to Be Mindful Wrapping Presents
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Tuesday, December 20, 2016
An App Combats Bullying, One Anonymous Compliment at a Time
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Pregnancy Changes the Brain in Ways That May Help Mothering
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Top 5 of 2016, 2/5: Most Popular Photo Posts
#912, Casa Borgo by Carlo Scarpa:
#916, Vienna DC Towers by Dominique Perrault Architecture:
#914, James Corner Field Operations' ICEBERGS installation at the National Building Museum:
#909, Hal Ingberg Architecte's Chromazone installation inside the New Cultural Centre in Notre-Dame-de-Grâce:
#926, Drieburcht Multi Sport by VenhoevenCS architecture+urbanism, with drawings by Jean-Luc Moerman:
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Seeing Santa in Black and White
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Monday, December 19, 2016
Drinking on Antidepressants
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Top 5 of 2016, 1/5: Most Popular Posts
My 18 Favorite Instagrammers - June 18 - 6,065 clicks
Apple's Big Curved Glass - March 11 - 5,383 clicks
10 Homes that Changed America - April 6 - 5,105 clicks
10 Towns that Changed America - April 22 - 4,922 clicks
Architects Choosing Biz Cards? - September 6 - 4,419 clicks
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Kering’s Latest Luxury: A Generous Parental Leave Policy
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Beware: Winter Is Coming
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The Cough that Doesn’t Go Away
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Saturday, December 17, 2016
Israel, a Medical Marijuana Pioneer, Is Eager to Capitalize
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Friday, December 16, 2016
Six Ways to Give the Gift of Generosity to Children and Teenagers
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Wishing Away the Wish List
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A Year In, and Still Trying to Say the ‘L’ Word
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Thursday, December 15, 2016
A Manhattan Yoga Studio for Bad Backs
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Are Foreclosures Necessarily Good Value in Vancouver?
by Jon Lumer
Everyone in Vancouver is looking for a deal. Rental rates are jumping to catch up with the sharp increase in property values and many tenants (as always) are looking at home ownership as a way to avoid paying rent to their landlord and start paying it to themselves, or at least their lender. Meanwhile, investors made dizzy by the capital appreciation they’ve witnessed in Vancouver over the last three years are desperate for a piece of the action or hope to expand their current holdings.
Many of these potential buyers, be they first-time home owners or investors, believe that picking up a foreclosed property could be their ticket to good value and an otherwise unachievable square footage in the neighbourhood of their choosing.
Is this a reasonable strategy? What are the potential pitfalls? What exactly is a foreclosure anyway?
A foreclosure usually occurs when an owner defaults on the mortgage payments to their lender and the lender decides their best option is to seize the asset that was mortgaged (the house or strata unit), sell it under the authority and supervision of the courts, and pay themselves out from the proceeds of that sale. The owner of the property is still entitled to whatever is left once all claims against the property have been settled.
Does this make foreclosed properties vulnerable to low bids? Not necessarily. In fact, the system is set up precisely in order to ensure that fair market value is paid for the property and the owner is not getting less for the home than what they should reasonably expect.
Once the court has authorized the lender that has foreclosed on the property to place it on market, a REALTOR©, acting for that lender and not the owner, will market the property while keeping good records of her efforts, market conditions and comparative market analyses, as well as any showings that result from the marketing.
If a bid is received that the lender accepts, a court date will be set. The lender will not accept a bid far below market value for the property, as they know the court is unlikely to allow such a sale to proceed, and the court has final say on the matter. This first bidder may negotiate with the lender and may submit a “subject offer,” but the terms of the contract are destined to be largely unfavourable to the buyer.
Why is that?
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Foreclosed properties are sold “as is, where is.” That means the buyer has no recourse if they are unsatisfied with the state of the property on possession. There will be no guarantees regarding any chattels, or even fixtures, the buyer may have seen while viewing the property. The danger of receiving the property in a sorry state is particularly acute if it is not vacant. This is quite different from the scenario most buyers will face when negotiating (through their agent) directly with the owner of a property.
The first accepted offer price will become public knowledge. Any interested buyers may now inform themselves of the value of that initial offer and present themselves at the court date to present their own offer. They must bring a bank draft for deposit if they are hoping to have their offer accepted. If their offer is selected and they do not have a bank draft, the offer will be rejected and another chosen. The court selects the best offer after having received all the sealed bids. There are no second opportunities once a winning offer is selected. The offers must all be subject-free. The person who made the initial offer which triggered the court date is also entitled to better their own offer at the same time other offers are being submitted. The values of all non-winning offers will remain undisclosed.
As with any multiple offer situation, the presence of many buyers encourages all buyers to increase their bids. This increases the likelihood that someone will pay at least market value for the property and quite possibly above-market value. The fact that everyone is physically present in a jam-packed courtroom should likely reinforce this tendency to increase one’s bid in the presence of competing offers.
What if there is only one offer?
In the case that there is only one offer, necessarily the initial accepted offer, a buyer may feel he is entitled to acquire the property even if his bid seemed quite low and he was surprised the lender accepted it. Not so fast. The court will still need to authorize the sale. In order to determine whether the sale is permissible, a few questions will be considered. How long had the property been marketed? The longer the marketing period, the less likely it is that higher bids will be forthcoming if the court does not authorize the existing contract. How many times was the property shown? If dozens of people have seen the property and only one has made an offer, it increases the likelihood that this is the best offer the owner could expect. How far off is the sale price from the assessed value? If the sale price is well below assessed value, this will appear suspicious, and further justifications may be necessary before the court consents.
This demonstrates that foreclosures are not necessarily quick or easy routes to acquiring property affordably in Vancouver. Some aspects of the process actually make it less likely that a buyer will find a true bargain in foreclosures.
Naturally, there is a great deal more to be said about foreclosures and I invite you to contact me if you have questions about these types of transactions or any other real estate related inquiry.
The post Are Foreclosures Necessarily Good Value in Vancouver? appeared first on Mike Stewart Real Estate Specialist 604-763-3136.
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Never Too Old to Be an Organ Donor
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Can I Stay at a Hotel When Visiting My Crowded Family Home?
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When Your Holiday Is Chrisnukkah
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Lidocaine Numbs the Pain of Infant Shots
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Nine Ways to Improve Your Love Life
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Today's archidose #935
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Tiger Woods Signs Multi-year Deal with Bridgestone Golf
Former No. 1 in World Golf Rankings to Play Bridgestone Tour B330-S Golf Ball
COVINGTON, Ga. (December 15, 2016) – Bridgestone Golf, a leading manufacturer of premium golf balls, clubs and accessories – announced today that it has signed Tiger Woods to a multi-year agreement to exclusively play and promote its high-performance golf balls.
Woods, whose decorated career includes a record run of 683 weeks as the top-ranked golfer in the world, selected the Bridgestone Tour B330-S ball after thoroughly testing it against competing models from all major brands. Through his personal research, Woods determined the Bridgestone ball provided superior distance and accuracy off the tee for him, as well as optimal spin on shots into and around the green.
“Finding the right golf ball is extremely important. It’s an essential part of my equipment, and the Bridgestone B330-S ball is hands-down the best for my game,” said Woods. “Controlling launch and trajectory is critical, and with this ball I feel I have total control to hit all shots accurately. I’m not just here to play – I’m here to win, and the innovative breakthroughs of the Bridgestone B330-S ball can help me do that.”
Woods’ findings align with what Bridgestone ball-fitting sessions with amateurs have proven. Data from these sessions show the B330-S flies six yards longer* and is more accurate than the leading competitors. Bridgestone golf balls have a record of success for Tour players, as well. FedEx Cup champion Brandt Snedeker, Olympic bronze medalist Matt Kuchar, Masters winner Fred Couples, three-time major champion Nick Price and rising star Bryson DeChambeau are Bridgestone Golf ambassadors, while scores of fellow professionals – including 2016 winners on the PGA and LPGA Tours – choose to use Bridgestone balls without compensation.
“No one spends more time perfecting their equipment than Tiger Woods, and no one holds their equipment to a higher standard,” says Angel Ilagan, President and CEO, Bridgestone Golf. “His choice of Bridgestone sends a clear message that our golf balls are superior to all others.”
As part of the partnership, Woods will be featured in digital, social, print and broadcast marketing globally as a Bridgestone Golf ambassador. The winner of 14 major championships and 79 PGA Tour events is also excited to support the popular Bridgestone ball-fitting program, which he believes can stimulate a new generation of golfers and increase enjoyment for all players.
“Bridgestone wants to make golf easier for everyone,” said Woods. “Knowing that every golfer’s game and swing is unique, it works to match each individual with the best ball for his or her game. If you’re not switching to Bridgestone, you’re missing out on better scores and a better experience.”
Bridgestone introduced the Tour B330-S in early 2016 after more than four years of research and development. The catalyst for distance and accuracy gains over leading competitors is the patented TOURcore. Now six percent larger than the prior model, it produces even faster speed and less spin off the driver via Bridgestone’s gradational core formulation. For increased greenside control, the B330-S wears the breakthrough SlipRes cover, which increases stopping power without the usual negative effects of added driver spin.
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*Based on 1,622 ball fitting sessions between February, 2015 and September, 2016.
About Bridgestone Golf
Headquartered in Covington, GA, Bridgestone Golf USA manufactures premium golf balls, clubs and accessories under Bridgestone and Precept brands. The company started making golf balls in 1935 and, as the world’s largest tire manufacturer, leverages its 900 rubber polymer science engineers worldwide to produce high-performing products. The pioneer of ball fitting since 2007, Bridgestone has conducted more than 300,000 in-person sessions using launch monitors and one million-plus online. The data informs continuous innovation and advancement of ball technology. Bridgestone Golf USA is a wholly-owned subsidiary of Bridgestone Sports Co. Ltd., headquartered in Tokyo.
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Wednesday, December 14, 2016
The Modern Love Podcast: Haydn Gwynne Reads ‘Two Decembers: Loss and Redemption’
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Pain Relievers Tied to Hearing Loss
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The Galleria, a POPS Oddity
Here is a plan of the enclosed space, which spans from 57th Street to 58th Street, taken from the APOPS website:
I was coming from the 59th/Lexington subway stop, so I accessed the Galleria from 58th Street on the north. In either case, the POPS is reached by walking down some steps, a fact that creates some vistas across the zigzag space when seen from the entrance doors. The 57th Street side is more open (photo at left, below), while the 58th Street side is blocked by a couple bridges lined in wood (photo at right, below). The red-tile pattern in the floor is a consistent motif that draws one to the center.
Before moving to the center, a sidebar. One piece that makes this POPS an oddity is found to the side of the 57th Street entrance, with its own odd stripe of green and pink glass. Suspended behind angled panes of clear glass are cylindrical planters that are supported by angled arms; they step up and back to follow the angled glass. Filled with succulents rather than, say, hanging plants, these planters appear way too heavy for the green effect they produce:
Moving forward toward the central space, a small sushi restaurant has been tucked into the western edge of the space behind some glass walls and between some columns (photo at right, below). The restaurant was installed since 2000, when Kayden foreshadowed: "As with the installation of open air cafés in outdoor spaces, it may be sensible at times to permit, even encourage, the private use of a portion of interior public space if it improves the overall environment of the space and in the end enhances overall public use." Although the public seating opposite the restaurant was nearly full, I'd agree that this addition to the POPS enhances the space.
Note in the above-left photo how the dark horizontal joints in the walls turn ninety degrees and then disappear at the top of the photo. This gesture is a subtle hint to look up, where the interior space rises eight floors, meeting the angled glass walls first encountered at the 57th Street entrance:
This atrium is the POPS's biggest surprise, but also one of the elements that make it such an oddity. The heavy walls, the concrete structure, the glass walls (angled and otherwise), the colorful floor pattern, the wood soffits – all of these elements congeal into a privately owned public space that is certainly interesting but a bit chaotic and jumbled. Outside of the sushi place, it is hardly a cozy, inviting place to stay a while. Instead it is a way for people to cut through the middle of the block, get out of the elements, and peer up at the atrium before continuing on their merry way.
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