Sunday, March 25, 2018

Brand Identity for Tom Mark Henry by Christopher Doyle &...


Brand Identity for Tom Mark Henry by Christopher Doyle & Co.


Brand Identity for Tom Mark Henry by Christopher Doyle & Co.


Brand Identity for Tom Mark Henry by Christopher Doyle & Co.


Brand Identity for Tom Mark Henry by Christopher Doyle & Co.


Brand Identity for Tom Mark Henry by Christopher Doyle & Co.

Brand Identity for Tom Mark Henry by Christopher Doyle & Co.

“We were engaged by the team to redesign their identity to better reflect the high calibre work they produce and the services they offer. The new identity focuses on a typography system that not only complements the large collection of project imagery but also defines a suite of internal documents and acts as the foundation for an entirely new visual system.A bold, extended logotype establishes a grid which underpins every touchpoint of the brand with a type system that features a bold and elegant selection of grotesk and serif typefaces.”

Christopher Doyle & Co. is Christopher Doyle, Stephen Grace, Josie Young and Oliver Ryan. They are an independent and collaborative creative company based in Sydney, Australia. They specialise in brand identity including naming and verbal identity, creative direction, digital design and collaborate with writers, strategists, photographers and developers to work with a diverse range of companies and brands across multiple platforms.

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Friday, March 23, 2018

Stephen Shore's "Uncommon Places" Today

Over at World-Architects I did a write-up of Image Building, an exhibition that opened last weekend at the Parrish Art Museum. Some of my favorite images in the exhibition, which "explores the many connections found among viewer, photographer, and architect, from the 1930s to the present," are by Steven Shore. I didn't include him in my write-up, so I'm focusing on him here, specifically his Uncommon Places series from the 1970s. Sparsely populated, and with rich colors and tones, his photographs exude Hopper-esque qualities.

When thinking about what to say about his photos, I decided to jump into Google Street View and find the locations, so see how much they've changed. It was not a hard feat, given that Shore labeled his photographs as the intersections where he took them. Even if via an app instead of in person, it was fun to come across the same spots that he depicted back then. Below are nine of his photographs and nine embedded Street Views. In some cases, the differences between then and now are not very great, as in the first photo, but in many there's only one building or other element that spans the last 40-plus years.


Church Street and Second Street, Easton, Pennsylvania, June 20, 1974




Second Street, East and South Main Street, Kalispell, Montana, Aug 22, 1974




Thirty-First Avenue and Crescent Street, Queens, New York, October 28, 1974




Holden Street, North Adams, Massachusetts, July 13, 1974




West Fifteenth Street and Vine Street, Cincinnati, Ohio, May 15, 1974




Broad Street, Regina, Saskatchewan, August 17, 1974




Beverly Boulevard and La Brea Avenue, Los Angeles, California, June 21, 1975




West Market Street and North Eugene Street, Greensboro, North Carolina, January 23, 1976




U.S. 93, Wikieup, Arizona, December 14, 1976



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The Weekly Health Quiz: Canker Sores, Coffee and Healthy Flying

Test your knowledge of this week’s health news.

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A Place of Healing

In the farm rows bursting with life, I realized that the answer to grief was not in locking myself away but in opening myself to whatever came next.

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Thursday, March 22, 2018

Omega-6s in Nuts, Seeds and Vegetable Oils May Aid the Heart

Men who had the highest omega-6 levels tended to have fewer deaths from heart disease and other causes.

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Netflix Adds a Warning Video to ‘13 Reasons Why’

After facing criticism for how the show’s first season depicted suicide, Netflix commissioned a study that has led the network to offer viewers more resources.

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Map Review: Concrete Chicago Map

Concrete Map Chicago edited by Iker Gil
Blue Crow Media, 2018
Double-sided, 16.54 x 23.39 inches



Think "Chicago architecture" and most likely concrete doesn't spring to mind. Brick, as in the Prairie houses of Frank Lloyd Wright, for sure. And steel, of course, in the towers of Ludwig Mies van der Rohe and his followers. But think deeper: Frank Lloyd Wright designed the masterful Unity Temple in Oak Park, which left its concrete frame exposed. And before his influential 860-880 Lake Shore Drive apartment towers, Mies built the Promontory Apartments in Hyde Park, which likewise exposed its concrete structure. Although these two concrete buildings are not included in Concrete Chicago Map, they signal that the material was not completely alien to the Windy City. It would take architects working in the 1960s and later — those looking to move beyond the restrictions of these two, ever-present giants — to fully explore concrete's potential across Chicago and its suburbs.



The indefatigable Iker Gil — architect at MAS Studio, editor-in-chief at MAS Context, and associate curator of this year's US Pavilion at the Venice Biennale — edited the Concrete Chicago Map, which consists of a map on one side and an alphabetical list of its 52 buildings with photos of 20 of them on the other side. The latter is accompanied by Gil's short introduction, which calls out two other architects (not Wright and Mies) whose work stands out in the second half of the 20th century: Bertrand Goldberg and Walter Netsch.

Netsch, one of SOM's more idiosyncratic designers, was responsible for the masterplan and many of the buildings at University of Illinois at Chicago. A quick scan of the map reveals clusters of buildings at UIC Circle campus but also at the University of Chicago and Northwestern University. Apparently concrete was embraced most enthusiastically at academia more than elsewhere in Chicago.

Goldberg designed Wilbur Wright College, but he is best known for Marina City, whose concrete "corn cobs" were recently landmarked. His Prentice Women's Hospital, unfortunately, was less appreciated and met the wrecking ball in 2014. This fact is pointed out by Gil, in effect turning the map into an argument for preserving buildings that might meet a similar fate if they're not appreciated for their architectural merits.


[St. Mary of Nazareth Hospital by Perkins+Will. Photo © Jason Woods for Blue Crow Media]

As somebody very familiar with Chicago architecture, Concrete Chicago Map, though handsome, provides few surprises, making it ideal for travelers less versed in its architectural wonders. But surprises there are: Errol Jay Kirsch's expressionistic mass of concrete in Oak Park, the bastion of Wright, and Salvatore Balsamo's Kingdom Hall of Jehovah's Witnesses in Northbrook, to name just two. The latter is not nearly as striking as any buildings by Goldberg or Netsch or even Jeanne Gang, a contemporary architect who fully embraces the material. I point it out since it's located in the suburb I called home for the first 20-odd years of my life (it's actually just a few blocks from the architect's office I worked at in high school), but somehow I never noticed it. This building reveals how Concrete Chicago Map extends well beyond the academic bastions of concrete and those notable examples in around the Loop, and it shows how some great architecture is right around the corner from where we live or work — we just have to know where to look. Too bad this map wasn't around for me back then.


[Science and Engineering South by Skidmore, Owings & Merrill. Photo © Jason Woods for Blue Crow Media]

Concrete Map Chicago and other maps can be purchased at Blue Crow Media.

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